Friday, October 19, 2012

Thoughts on Teaching Grammar


When reading Smagorinsky’s discussion about the difficulties of teaching grammar, I immediately thought of my niece.  Last Thursday, she called me requesting help with homework.  When I arrived, there she was with a grammar worksheet working on commas.  I gave the best advice I could, but I was uncertain if I was correct on all of the sentences.   After reading Smagorinsky’s discussion on the difficulty of teaching grammar and his examples about how the MLA and the Harvard comma rule differ, I couldn’t help but think that this is precisely why I was uncertain and have anxiety about teaching grammar.  Our texts this week cause me to be further sympathetic to my niece, because she has the misfortune of being in an English class with a 35 year veteran teacher who definitely has some “old school” ideas and is clearly teaching grammar in isolation and exclusively from worksheets.  I probably shouldn’t voice this opinion, but I hope the teacher retires soon.  On a more positive note, when discussing the problems of grammar with my cooperating teacher, he reassured me that he tries to apply grammar lessons when he sees problems, in much the way that Smagorinsky recommends.  Hearing that was a relief to me.  I know I can teach grammar, but the question of “whose standard is it?” makes it so difficult.  I keep imagining a student’s English teacher parent or grandparent coming in and telling me I’m teaching their child incorrect grammar!

            Smagorinsky’s idea of teaching grammar as a tool is spot on.  That analogy is wonderful, because the challenge will be to get students to see grammar as something useful that can be used to increase their writing ability rather than a “subject” in which they are going to do poorly.  Further, it’s really interesting that Smagorinsky quotes a man named Pooley from 1954—often considered dated by today’s standards.  However, the points outlined by Pooley are clear and to the point for improving grammar instruction, and it demonstrates how slowly change takes place in academia and grammar instruction.  In the spirit of Smagorinsky’s points, if I should get stumped on a grammar convention, I hope I can model for my students—or model strategy skills—that demonstrate how to go about correcting grammar errors.

            “The English Teacher’s Red Pen:  History of an Obsession” is a thought-provoking article.  Considering the historical reasons of why English teachers are obsessed with error correction is worthwhile and brings up an important point.  The authors note that in spoken language we don’t systematically and constantly correct incorrect grammar and yet young people learn to speak correctly over time is well taken and they are right that too much emphasis placed on error correction causes students to not care.  However, this puts even more emphasis on the problem of making writing relevant.  Student’s overlook many errors often because they don’t care.  (I need to be careful here, because I have turned in papers that I care about very much and then have been embarrassed at how many grammatical and structural errors I miss!)  But, the larger issue is to get student’s to see the relevance of writing.

 Zemelman and Daniels discuss a “paradigm shift” in which good writing is process writing.  I agree with them and certainly think that with increased means of communication and the internet, the need for clear, coherent writing is more important than ever.  I think they are correct that it is unnecessary to “bleed” all over a paper, but for English teachers the difficult part is restraining the impulse to "mark" every mistake.  Maybe I am out on a limb, but it seems to me that English teachers excessively mark a paper because that is the easy part.  Over time an English teacher becomes exceptionally skilled at spotting grammar mistakes and they are easily and quickly marked.  The slow part of the process is marking the paper for content and quality.  It is a challenge to respond to a student’s writing in clear language that gives them opportunity to learn from your comments.  Students that care definitely read these comments and it is essential that a teacher takes care to evaluate fairly and respond in a manner that provides guidance and therefore a learning opportunity.  Maybe I am demonstrating my lack of knowledge and that I haven’t yet learned the skill of accurately assessing and responding well without it taking hours of time.

Overall, I agree with Zemelman and Daniels article.   It is essential that we evaluate fairly and accurately without penalizing a student with excessive attention on minute grammar infractions.  Doing this well does and will require different ways of evaluating.  At this point, for me, the best way of doing this is to go back to the rubric.  There is great value in giving students a rubric before or with an assessment so that it is clear to them exactly what is going to be graded and how we are going to factor in the components of quality writing.

Monday, October 1, 2012

Text Satellite
http://prezi.com/wl2b2gnkugvm/copy-of-age-of-anxiety/

Hello everyone!

I hope the above link works.  Before I explain the thought processes behind my text satellite, I want to give a big thank you to the ladies in the Fishbowl for their tutorials!  Many thanks.  Once I understood the process I could have fun with it!  It was fun to consider texts in a different way than it is traditionally approached.  I began thinking about literature from the early Modern period.  I read Edith Wharton's Ethan Frome in high school and think it is less widely known, but has important themes in it.  It is definitely represents concepts of determinism and conflict on many levels--first of all internal conflict, then romantic conflict, as well as the overarching concept of man vs. nature.  I considered other texts, but kept coming back to this one.  I also think Barbara Kingsolver's texts should be taught in schools, so I chose The Bean Trees as a text that follows many of the themes that are addressed in the early part of the Modern period, but by choosing Kingsolver, I wanted a text that felt more recent and thus more applicable to students.  In addition, this text addresses themes such as migration and treatment of the earth, which I believe all connect with trends that started in the early part of the century.  For this reason, I also chose an excerpt from Rachel Carson's famous work as a way of making a connection with scientific discovery and writing which also influenced fiction writing.  For news articles, I was pleased to find an article from the September 24th issue of "The Guardian" which discussed the fiftieth anniversary Carson's The Silent Spring.  An additional benefit is that this article could work as an article of the week.  One failure, I must note is that I couldn't get that particular article to link correctly with my text satellite. (The image is a representation of the article I found.

In choosing short stories, drama, and poetry, I went with the traditional with "The Open Boat," which is a story important to teaching for the early modern period, as well as the poetry of Robert Frost.  I particularly chose the Frost poems to offer a contrast in styles between blank verse ("Birches") and the rhyme scheme of "Stopping by Woods on a Snowy Evening."  In keeping with the style of the time period, I chose the humorous drama of Anton Chekhov.  This play offers social commentary in a humorous way that is also in keeping with the dominant themes of the unit.

For additional material I chose the music of U2 and a 1993 film version of Ethan Frome that was directed by John madden.  I also chose graphic novels by Joe Sacco which are based on modern day Israel and the Gaza Strip.  Some might argue that these novels are very dark, but I thought they might offer a stark look at the themes of determinism and conflict that are central to the unit.  Overall, I had fun with the text satellite, and definitely think it is a medium that causes one to think about texts in a new way.  I hope everyone enjoys it.